Richard Wentworth: 'Making Do and Getting By' | News | Lisson GalleryWentworth was born in Samoa —then a province of New Zealand —in Between and , Wentworth taught at Goldsmiths College and his influence has been claimed in the work of the Young British Artists. In August , Wentworth was one of public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue. Since the early s Wentworth has been capturing chance encounters of oddities and discrepancies in the modern landscape in the ongoing photographic series known as Making Do and Getting By. Mundane snapshots and fragments of the modern landscape are elevated to an analysis of human resourcefulness and improvisation, whereby amusing oddities that would otherwise go by unnoticed become the subject of intent contemplation. In the early s Wentworth became identified with the New British Sculpture movement.
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Portable and easy to use, the modern photo and video cameras have presented themselves as ideal tools for practices inscribing themselves ever more seamlessly in the everyday life and lifestyles of artists. Thus British sculptor Richard Wentworth, while still a student at the Royal College of Art, started around to photograph various arrangements of objects and signs encountered in the street, Most users should sign in with their email address. If you originally registered with a username please use that to sign in. To purchase short term access, please sign in to your Oxford Academic account above. Don't already have an Oxford Academic account? Oxford University Press is a department of the University of Oxford.
Peter Freeman, Inc., Secondly, his choice of subject is not only a very personal perspective of urban life but has been consistently and deeply explored for four decades. This in itself makes this series unusual, it has been created outside of and in parallel with the mainstream of photography history, uninfluenced and seemingly unaware that the mainstream exists; in the interview with Hans Ulrich Obrist that introduces the book 2 , he discuses sculptors, architects and writers; photographers are notable by their absence.
Artist and photographer Richard Wentworth registers chance encounters of oddities and discrepancies in the modern landscape. Renowned mostly for his readymade sculptures but also known for his photographic series, namely Making Do and Getting By, Wentworth is inclined to explore the nuances of modern life and the human role therein. Mundane snapshots and fragments of the modern landscape are elevated to an analysis of human resourcefulness and improvisation, whereby amusing oddities that would otherwise go by unnoticed become the subject of intent contemplation. Wentworth captures pictures of improvisation, where objects are removed of their original context, stripped of their ordinary function and yet often rendered functional in an altogether new and unexpected way. A car door serves to mend a wire fence. Wooden crates, wedged into a doorway, exert the function of a door.