The Print Legacy of Louise Bourgeois Unfolds at MoMAIf you notice an error, please contact us at digital moma. If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material including installation views, checklists, and press releases , please contact Art Resource publication in North America or Scala Archives publication in all other geographic locations. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze scalarchives. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library. If you would like to reproduce text from a MoMA publication or moma.
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Throughout art history, portraits have fulfilled a range of social and cultural functions from official tributes to family homages to idealizations of the anonymous everyman. Modern artists have continued this tradition and have also used faces to evoke a panoply of expressive states. Contemporary artists have found increasingly inventive and conceptual approaches to this traditional genre. If you notice an error, please contact us at digital moma. If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material including installation views, checklists, and press releases , please contact Art Resource publication in North America or Scala Archives publication in all other geographic locations. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze scalarchives. For licensing motion picture film footage it is advised to apply directly to the copyright holders.
Founded in Zurich in , the contemporary art journal Parkett has taken an innovative approach to magazine publishing. For each volume, artists are chosen to collaborate in the publishing process: they suggest authors to write on their work, confer on layout, propose cover ideas, and create artworks unique to Parkett. Some of these works are editioned and offered separately to subscribers, some are inserts—most often in the form of sequences of pages bound into the volumes—and others are designs for the volumes' spines. In , The Museum of Modern Art acquired a full set of the artworks made in conjunction with Parkett, the only complete set in an American museum. Collaborations with Parkett: to Now includes some of these artworks in a broad range of inventive formats—prints, page-art projects, photographs, drawings, paintings, multiples, videos, DVDs, and sound pieces—all of which were created specifically for Parkett.
Louise Bourgeois remains best known for her spider sculptures, cell installations, and uncanny sewn figures, but print- and book-making sustained her practice for decades. Beginning with tightly composed, precise, and Surrealist-inspired etchings and engravings in the s, through the illustrated books and fabric prints she created in the ensuing decades, to the airy and virtually abstract drypoint prints and etchings she created in the last decade of her life, the printing process enabled her to work through and develop some of the core themes and symbols of her career. Early rooms focus on architecture and abstraction, leading into sections on the body, the motif of the spiral, works on fabric, imagery inspired by nature, and other subjects that span different decades and groups of work. As in all her work, family trauma — like, in this instance, her father leaving to fight in World War I when Bourgeois was just three years old — and psychological hardships are ever-present in her prints. The sculpture, elegant and photogenic though it is, articulates a state of paralyzing and torturous tension, while the prints — made just two years before Bourgeois died at age 98 — have a looseness and fluidity that evokes comfort, openness, and resolution.
Department of Prints and Illustrated Books. – The Museum of Modern Art Department of Prints and Illustrated Books.
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The blown-up photograph of a visibly slept-in bed by artist Felix Gonzalez-Torres certainly seems print-ish enough. But the untitled piece, at left, really grapples with more vexed questions of simultaneity, reproduction, and how museums or galleries interact with artists's "originals" and "copies"—the issues at the very heart of print as an artistic practice. In the case of the bed poster, the print medium receives a conceptual charge because of the artist's explicit instructions regarding the nature of the display.
What's New? New Bestsellers Trade Academic D. Catalog D. Publishers D. Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings.